Nicole Kidman, |
Directed
by: Tony Scott
Written by:
Produced by:
Distributor: |
US:
00/TBA/05
UK: 00/TBA/05 |
Glamorous aid worker Emma McCune conformed to none of the stereotypes: although driven and committed to her work she was at least partially attracted to Africa because it enabled her to live in a style she could not achieve in Britain, and she was famous in East Africa for wearing mini-skirts and for her affairs with African men. Initially much admired, if also suspect for her social flair, she appalled the aid community with her marriage to a local warlord, who was deeply enmeshed in both rebellion and murder. She had fallen in love and, a rebel to the end, she insisted on following her feelings, even if it left her rejected by her fellow worker and in an ambiguous position - was she on the side of the refugees or the warmongers? This biography is also an evocation of the complexities and horrors of the Sudan, where Gordon of Khartoum lost his life and possibly his sanity campaigning against the slave trade, and where today life is so harsh that desperate families sell their children into slavery, hoping for a better life for the child, and hopeless children volunteer to be sold, grabbing at any opportunity for change, however slight, where boys grow up aspiring to be child soldiers and men dedicate their babies to war. Impotent among the dead and the dying, the well-educated, well-paid Western aid workers who try to impose order on this maelstrom are inevitably doomed to failure and, sometimes, are even complicit in creating human misery. |
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There's a certain class of while, middle-class leftist "we're all guily" dopes who find people like "Emma" to be admirable. In reality, she's what's so wrong with the world. She was, in fact, a world class idiot. But don't expect the movie to deal in anything remotely concerned with truth. Expect more guilt tripping by the Hollywood elite who wouldn't spit on ordinary people if they were on fire. |
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