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LORD OF THE RINGS:
THE TWO TOWERS

Elijah Wood, Sean Astin, Ian McKellen, Cate Blanchett, Christopher Lee, Viggo Mortensen

Directed by: Peter Jackson
Written by: Fran Walsh, Peter Jackson, Phillippa Boyens, Stephen Sinclair
Produced by: Barrie M. Osborne, Peter Jackson, Tim Sanders

US: 18/12/02 UK: 18/12/02

Frodo and Sam take Gollum prisoner and continue on to Mordor on the mission to destroy The One Ring. Whilst their former companions Strider, Legolas, Gimli, Merry and Pippin make new allies in the Ents, The Riders of Rohan and the Stewards of Gondor and launch an assault on Isengard. All the while a growing Shadow falls upon Middle-earth as the Dark Lord's Army marches on to Gondor.

The worldwide anticipation for the second installment of the Tolkien trilogy is high. Jackson achieved something really special in the first combining artistry and great story telling. This is the one ring that RULES.

MEDIA BUZZ
1 June/Moviebus: MTV 2003 movie awards
11 Feb/Moviebus: Lord gets Oscar noms
4 Feb/New York Post:Harry Potter is OK with the pontiff
27 Jan/Moviebus: Chicago & New York lead 2003 BAFTA noms
11 Jan/Weekly Standard: A Pre-Pre-Oscar Malaise - Why "The Two Towers" won't win Best Picture, even though it should
22 Dec/E! Online: "Towers" Still Box-Office Lord
18 Dec/New York Times: Soldiering On in Epic Pursuit of Purity
15 Dec/New York Daily News: Tolkien's female trouble stokes a debate about the author's outdated views of women
12 Dec/Daily Telegraph: Elf Queen Blanchett shines at glitzy London premier
12 Dec/This Is London: London goes Ring crazy over Liv Tyler
11 Dec/Chicago Sun-Times: Gollum puts the mischief in Middle-earth and some fear into Frodo
6 Dec/Chicago Sun-Times: Middle Earth ain't for sissies says Viggo
30 Nov/Daily Telegraph: Dennis Hopper calls Viggo Mortensen the 'real deal'
19 Nov/Moviebus: London misses out on Lord 2 world prem

REVIEWS
Atlanta Journal/Chicago Sun-Times
Chicago Trib/LA Times
New York Post/New York Times
USA Today/Entertainment Weekly
E! Online/San Fraansico Chron
People/Seattle Post
Reuters/Cincinatti Enquirer

Ebert & Roeper
Dave Reviews Out Loud

"Is it my imagination Legolas .. or are there loads more extras than the first flick?"



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Exactly a year after The Fellowship of the Ring (and a year before The Return of the King), Kiwi director Peter Jackson releases his take on the more difficult middle book in Tolkien's saga. And it's another stunner of a film. The story splits, along with the Fellowship, into three distinct adventures, but Jackson hops back and forth effortlessly, bridging the gaps and building the suspense and tension until a jaw-dropping explosion of action, violence and cathartic emotion at the Battle for Helm's Deep, where an entire kingdom has gone to hide from the genocidal wizard Saruman's (Lee) massive army of Uruk-Hai. The film's themes are startlingly unsettling. As Frodo and Sam (Wood and Astin) head off toward the fires of Mordor, they are joined by the obsessive creature Gollum (Serkis); we can see Frodo's helplessness at resisting the ring's pull on him ... greed and obsession take their toll. The intriguing man-elf-dwarf trio of Aragorn, Legolas and Gimli (Mortensen, Bloom and Rhys-Davis) try desperately to defend the stubborn people of Rohan from the marauding hordes. And Pippin and Merry (Boyd and Monaghan) escape from the Uruk-Hai but run into the powerful yet isolationist Ent Treebeard (Rhys-Davies again). Meanwhile, Gandalf the White (McKellen) appears, very different from the Fellowship's Gandalf the Grey, but with that same twinkle in his eye.

The epic, sweeping scope is astonishing. Jackson plunges straight into his tricky multi-pronged narrative without any scene-setting, and he barely pauses to let us catch our breath. There's a welcome collection of cutaways in the middle (involving elfs Tyler, Blanchett and Weaving) to establish the bigger picture and continue plotlines between the three films, but otherwise the film charges relentlessly and restlessly forward. Along the way we get the most amazing CGI character ever put on screen (Gollum), sweeping drama and romance, startling action sequences, and more spectacular New Zealand scenery than we can quite take in. This is magical, expert, passionate filmmaking that needs to be seen on the big screen. But it is also the middle of a trilogy, so don't let the fact that it doesn't have a beginning or an ending put you off--this is a dazzling film about an epic journey that has real power all its own.

 

 

 

 


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